Unsealing the Seven Seals of the Revelation of John

The opening of the First Seal of the Revelation of John symbolizes the Revelation of Knowledge (by means of the non-dualistic, 2-dimensional ‘flat’ space “observing consciousness” Created ‘by and in the image of God’—Genesis 1:27) through both the Vision of the “Son of man” (the Third Phase of the War of the Sons of Light) and the Revelation of “the resurrection” (the Second Phase of the War of the Sons of Light).

The opening of the Third Seal of the Revelation of John, the rider on the black horse, symbolizes the emergence of the dualistic, self-created, ‘fallen’ consciousness of the ‘thinker’; which ‘thinks’ itself into existence by means of the thought of the ‘thinker’ (See Meditations On First Philosophy, by Descartes) for the purpose of preserving the ‘spatiality’ (i.e., maintaining the sanity; see the opening passages of the Second Meditation) of the consciousness of the “self” over time.

And, while the male perversion of Masculine Truth is violence and warfare, as represented in the following dance:

https://www.youtube.com/watch?v=WZCjgPIvBU8

the position of the main dancer’s arms at time segment 0:43-0:47—and of the group of dancers at precisely 1:22—represents hard-hearted arrogance (while other of his movements represent both the suppression of sorrow and a steely indifference to the sufferings of others.) That positioning is precisely the opposite of the woman in the white dress in Stolen Kiss, who crosses her arms across her chest in a demonstration of humility; the female perversion of Feminine Truth is the whorishness of the monotheistic theologies, as represented in the following dance:

https://www.youtube.com/watch?v=CEjclME_BM4

At time segment 1:49-1:51, the woman in the red dress twice projects the duality of the ‘fallen’ consciousness upon the woman in the white dress, representing the non-duality of the Revelations; after which, reminiscent of ‘the Fall’, the woman in the white dress descends into the whorishness of metaphysical philosophy/theology.

And, with regards to the Teaching of Jesus, if Paul is considered to be the ‘rider on the red horse’, Constantine is to be considered the ‘rider on the black horse’ by his ‘elevation’ and ‘weaponization’ of the idolatry of Paul into the state religion.

The Unsealing of the Fourth Seal:

Whereas the Second and the Third Seals of the Revelation of John symbolize the emergence and characteristics of the dualistic, ‘fallen’ consciousness of the “self” and the ‘thinker’ in their unrelenting and vicious opposition to both the non-dualistic consciousness Created by God and the Knowledge Revealed through that consciousness (as represented by the opening of the First Seal); the opening of the Fourth Seal symbolizes the manifestation of the characteristics of that ‘fallen’, dualistic consciousness in the space-time reality; that is, the effects of duality, conflict, violence and warfare (originating in the images of the ‘fallen’ consciousness of the “self”, and the thoughts of the ‘fallen’ consciousness of the ‘thinker’) upon human civilization; for example, the effects of ambition, sexual lust, the lust for power, greed, cynicism, paranoia, and self-righteousness vindictiveness.

The Unsealing of the Fifth Seal:

The opening of the 5^th Seal of the Revelation of John symbolizes the sufferings experienced in relation to people, and to events in the space-time reality; chiefly as a consequence of the conflict and violence that is unleashed upon the world with the opening of the Fourth Seal; in particular, the sorrow and suffering experienced by the Sons of Light as a result of the First Phase retaliation of the Sons of Darkness against the Moral Law; the sorrow and suffering experienced by the Sons of Light as a result of the Second Phase retaliation of the Sons of Darkness against the Revelation of “the resurrection” as a Doctrine of ‘Rebirth’; and the sorrow and suffering experienced by the Sons of Light as a result of the Third Phase retaliation of the Sons of Darkness against the Knowledge Revealed through the Vision of the “Son of man”; a sorrow and a suffering which, however, is merely a precursor to the experience of the utter annihilation of the ‘fallen’ consciousness itself, as is symbolized by the opening of the Sixth Seal.

The Unsealing of the Sixth Seal:

The opening of the 6^th Seal of the Revelation of John symbolizes what the Jewish mystics refer to as the “shattering of the vessels”; that is, the instantaneous and traumatic annihilation of its extension in time (of the consciousness of the ‘thinker’) and the very ‘spatiality’ of the consciousness of the “self”; which is a necessary precursor to the receiving of both the Vision of the “Son of man” and the Revelation of “the resurrection”.

The Unsealing of the Seventh Seal:

The opening of the 7^th Seal in the Revelation of John symbolizes the receiving of the Vision of the “Son of man” over “the space of half an hour” (which is the same as the “Night Journey” of [Sarah-->] [Elijah-->] [Daniel-->][John the Baptist-->] Mohammed [-->Elizabeth]); a Vision which is cryptically described in the Thanksgiving Hymns of the Dead Sea Scrolls with the words: “the fortress shall open on to Endless Space”; and, in the Gospel of Mary, with the words: “…where are you going,conqueror of space?” [Note the Long A phonetic tone of “the resurrection” (the word “space”), signifying that the Knowledge Revealed through the Vision of the “Son of man” is subsequently Revealed through the Revelation of “the resurrection”].Thus, there is a direct connection between the opening of the Seventh Seal and the opening of the First Seal, like two adjacent points on a circle.

In addition, this Vision is also represented both visually and acoustically in:

(“2001-A Space Odyssey Star Gate” sequence has been removed from the Internet);