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Bob Dylan Admits to Plagiarism

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Bob Dylan fooled the world for decades claiming to have written many of the melodies to his hit songs when in fact most of the melodies were from preexisting songs that he did not write.

In a last nail in the coffin scenario James Damiano’s movie “Eleven Years” draws the straw that breaks the camel’s back, rivets Bob Dylan to his secret past of plagiarism and rewrites musical history”…Virtue Films

Bob Dylan ‘s Stealing of James Damiano ‘s Songs

http://christinejustice.yolasite.com

 

 

 

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    • APNews

      Bob Dylan ‘s Stealing of James Damiano ‘s Songs Update : https://www.youtube.com/watch?v=3w-6Ikk9uT4&t=12s

    • APNews

      Bob Dylan’s Stealing of James Damiano’s Songs

      No artist can lay claim to the controversy that has surrounded the career of songwriter James Damiano. Thirty two years ago James Damiano began an odyssey that led him into a legal maelstrom with Bob Dylan that, to this day, fascinates the greatest of intellectual minds.

      Since auditioning for the legendary CBS Record producer John Hammond, Sr., who influenced the careers of music industry icons Charlie Christian, Billy Holiday, Bob Dylan, Pete Seger, Bruce Springsteen and Stevie Ray Vaughan , James has engaged in a half a billion dollar copyright infringement law suit with Bob Dylan.

      As the curtain rises on the stage of deceit we learn that CBS / Sony international recording artist, Bob Dylan not only used songs and lyrics written by James Damiano but also solicited Mr. Damiano’s materials for a period of over ten years and eleven months.

      As per Judicial filings Bob Dylan’s name is credited to the songs. One of those songs is nominated for a Grammy as the best rock song of the year. Ironically the title of that song is Dignity.

      FOLK LIES: Joni Mitchell Outs Bob Dylan

      by Jonny Whiteside
      Just type “Bob Dylan plagiarism” into your friendly search engine, and a plethora of questionable circumstances pop up, enrobing the singer almost as completely as his years of reflexive media fawning have. Documented from his teenage start, when he submitted a hand written, thinly revised version of country star Hank Snow’s “Little Buddy” for publication as an original poem, to his 1963 pilferage of Irish poet Dominic Behan’s “Patriot Game”’s melody for the similarly slanted Dylan tune “With God on Our Side” to songwriter James Damiano’s ongoing multimillion dollar copyright infringement suit (alleging Dylan’s Grammy-nominated “Dignity” is nothing but an altered version of Damiano’s “Steel Guitars”) to the naked “Red Sails in the Sunset” melody heist for the song “Beyond The Horizon” on his Modern Times album, up through the recent Confessions of a Yakuza-Love & Theft plagiarism charges (Love & Theft? Calling Dr. Freud!), the Timrod controversy, even the numerous passages of Proust and Jack London that (re) appear in the text of Dylan’s autobiography, it’s a deep, dark thicket of thoroughly damning and apparently chronic bootlegging. Naturally, Dylan has said nothing publicly about any of these, but he already spent over three million dollars defending himself against one-time affiliate Damiano–the classic delay-to-destroy court room technique.

      The Most Censored Story In The History Of Rock & Roll

      Bob Dylan’s Stealing of James Damiano’s Songs

      http://christinejustice.yolasite.com

      .

    • APNews

      LO AND BEHOLD!: DOES TOLERATED USE GIVE AN INCENTIVE TO PLAGIARIZE? AN EXAMPLE THROUGH THE MUSIC OF BOB DYLAN

      http://www.cardozoaelj.com/wp-content/uploads/2014/01/Levine-32-3.pdf

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